1st January 1998
How did you begin graffiting ?
Seeing it all the time when I was travelling to school.
Then after a year I wanted to add my own. My friends got me into it.
What paints do you use ?
Acrylics, enamels, oils, spray paints. When I get commercial
work I try to buy good brand paints. If I had to buy paints I usually by
all the cheapies stuff, or all the usual colours, and mix them together
to come up with unusual combinations. |
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Have you been in trouble with the law
?
When I was 16. I had to go to court. I had 13 charges
against me. It was a bit of a slap in the face. I went to Hornsby courts.
They are very strict on youths up there. I know if you went through Glebe
courts or Blacktown court it wouldn’t be so bad. I was charged and
not convicted. I got a 2 to 3 year bond and had to do community service
for months. They were going to get me to clean trains. I thought that was
cool, cause I could learn the time tables of trains, and how to access
train yards. But they thought that was too much of a temptation so they
got me to clean Pennant Hills railway station. The supervisors ended up
being really cool guys. They gave me money for lunch, and let me leave
early. I think they felt sorry for me.
Any good chase stories ?
No, I was always cautions and paranoid. A lot of my art
was done in daylight, I just picked the right times to do it. I’ve had
a few chases, even with legal walls. I've had some miss understandings
with security guards. |
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you see any differences between graffiti in Sydney and graffiti in other
parts of the world ?
To us writers, the differences are obvious. Australia
has a really high standard of graffiti. Being so far away from the major
centres of graffiti art, like New York and Europe, graffiti in Australia
developed it’s own styles and attitudes. It still looks towards America
for inspiration, and there’s a lot of influence from other parts of Hip
Hop culture, like music and fashion.
Personally, I was influenced more by LA graffiti then
NY graffiti. I was influenced a lot from books like Spraycan Art, by Henry
Chalfant and James Prigoff, and Subway Art, by Martha Cooper and Henry
Chalfant.
Has graffiti changed in Sydney over
the past ten years ?
Yer, kids that do graffiti now do not seem to have any
influences. Things just seem to be coming out of there heads, there doesn’t
seem to be anyone they can look to for influences.
There were a lot more regular graffiti artists around
in the early 90s, back then you can see artists influencing each another.
The North Shore artists had their own style, the Inner West had their own
style, every part of Sydney had an individual style and culture. But it’s
not like that now, instead of having unique graffiti communities in every
part of Sydney, now it seems like it is everyone for themselves. Graffiti
artists now are more likely to work individually, rather then collaborativly. |
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Who are
your influences ?
When I was growing up I was influenced by North Shore
graffiti artists like Demote and Prince. I use to see their work and it
would hype me up to do my own work. Unique, Mistery, all those guys. I
grew up searching and photographing their work. Lately it has been Phiba’s
wildstyles.
The last couple of years, I’ve been interested in other
things. Graffiti will always be a part of my life but it is no longer the
number one thing. I’ve been through art school and I can see graffiti with
a better perspective now.
What other interest do you have
besides graffiti ?
Skateboarding, music, writing, and reading. I read a book
recently that influenced me a bit. It was about Gerry Adams, the leader
of Sinn Fein. Ninety-nine percent of the media, only reports
Britain’s side of the Northern Ireland situation, we never see the Sinn
Fein side of the argument which is just as valid. Reading that book really
made me think of what my priorities are in life. It made me feel like I’ve
been just playing around with my life, wasting all those hours skating
and spray painting. Maybe I could have been doing something more important.
In Northern Ireland, there are kids as young as ten in riots, fighting
for their basic rights. We are lucky in Australia, as we don’t have to
do that. It would be cool to be involved in some worthwhile causes. |
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you see yourself doing in 10 years time ?
Hopefully I would have created some music that’s worth
listening to, have some paintings that’s worth looking at. Just to not
be bored with being creative, and creating something significant if I’m
going to create.
Anything else you would like to
add ?
You should do what you want because you enjoy it. There
are too many people following the rules of graffiti rather than breaking
them. I’m all for drips, I’m all for cheap paints, I’m all for using abandon
buildings where no one else is going to see my work. Graffiti artists don’t
have to do their work on the main train lines. They don’t have to work
with the best coloured paints. They don’t have to have five pieces edged
to edge. I think it is better to do one good work every three weeks then
have ten crappy ones that all look the same. Or even ten excellent ones
that all look exactly the same.
Graffiti artists should be out there for more then recreating
their logo, which is what too many artists are doing. I can’t understand
how they can do that. Doing the same thing over and over again, with just
a slightly different colour or letter shape. It’s good to have a style,
or something that people can recognise as your work. Like Phiba’s cats
or my self portraits, but everything shouldn’t be measured, stencilled
out and repeated. |
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